"Writing's on the Wall" is a song by English singer Sam Smith, written for the release of the 2015 James Bond film Spectre. The song was released as a digital download on 25 September 2015.[1] The song was written by Smith and Jimmy Napes, and produced by the latter alongside Steve Fitzmaurice and Disclosure and released on 25 September 2015.
"Writing's on the Wall" received mixed reviews from critics, some comparing it unfavourably to previous Bond theme songs.[2][3][4][5] The mixed reception to the song led to Shirley Bassey trending on Twitter on the day it was released.[6][7] Despite this, the single became the first Bond movie theme to reach number one in the UK Singles Chart. It also reached the top 10 in a few other European countries, but unlike other James Bond film themes, it was not as successful outside Europe, only peaking at number 43 in Canada and Australia and number 71 on the Billboard Hot 100. Only the instrumental version of the song appeared on the film's official soundtrack album. The song won the Golden Globe Award for Best Original Song at the 73rd Golden Globe Awards[8] and the Academy Award for Best Original Song at the 88th Academy Awards, making it the second consecutive Bond theme to win (after "Skyfall" by Adele in 2012).
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"Writing's on the Wall" was co-written by Smith and Jimmy Napes[9] in a single session: they wrote it in under half an hour and quickly recorded a demo. They were so pleased with Smith's vocal performance that they used it on the final release.[10] On 8 September 2015, Sam Smith announced that they were singing the song for the James Bond film Spectre. They described performing the theme as "one of the highlights of my career".[11] The English band Radiohead also composed a song for the film, "Spectre", which went unused.[12]
James, a tamil movie, has Power Star Puneeth Rajkumar, Dr. Shiva Rajkumar, Ragahvendra Rajkumar, Priya Anand, Sarath Kumar as leading cast in the film. The songs from the James were composed by G. V. Prakash Kumar. The Lyrics of the Songs from the movie James was penned by Lyricists such as Karunakaran. The movie was directed by Chethan Kumar. The tamil movie James was released in the year 2022.
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With a long, grand history spanning more than a century, Stacker compiled the 100 greatest movie songs using data from the American Film Industry's 100 Years Project. The survey, which occurred in 2004 (hence no recent tunes like "Let It Go" from "Frozen"), asked a selection of jurors from across the movie industry to evaluate music and lyrics "featured in an American film that set a tone or mood, define character, advance plot and/or express the film's themes in a manner that elevates the moving image art form." The cultural impact and legacy involving the song were also important criteria in the selection process.
As the film industry became more mainstream and commercialized, the use of popular songs and music generally increased. Now, soundtracks and scores are an integral part of the moviegoing experience. Sometimes, filmmakers and producers are hoping to capture a zeitgeist by tying a film's release to a popular hit. Older songs might be chosen to invoke a certain period of time.
More often, blockbuster films will feature original songs. These songs may be inspired by the content and the tone of the film and occur in a non-diegetic way, such as during a montage sequence or in the credits. Other times, the song can be performed by the characters of the film diegetically. Regardless, a successful music scene has the potential to become iconic, and with it, the song itself.
Some filmmakers view the curated soundtrack as important as the film itself; for example, writer-director Quentin Tarantino often incorporates favorite songs from his vast music collection into scenes in his movies. Other examples include James Gunn's "Guardians of the Galaxy," which had an "Awesome Mix Vol. 1" that carried important meaning for the main character in the plot of the film, while also hitting the top of the charts in real life.
In the most iconic scene of Tom Cruise's coming-of-age film "Risky Business," Cruise's character Joel Goodson has a bit of fun after being left home alone by his parents. Sliding on the hardwood floor in just a buttondown and underwear, Joel lip syncs and dances to the classic song "Old Time Rock and Roll" by Bob Seger. Since then, this scene has been parodied by sitcoms, commercials, and even other films.
Disney's animated film "The Lion King" contained a number of original songs that became instant classics, including "Can You Feel the Love Tonight" and "Circle of Life." "Hakuna Matata," however, carried thematic importance to the film; Timon (Nathan Lane) and Pumbaa (Ernie Sabella) teach young Simba the meaning of these words, which translate to "no worries," in a catchy song that showcases Simba's growth from cub to adult lion through montage. Not only is the Elton John/Tim Rice-written song still popular to this day, but so is the phrase itself.
Originally featured in the 1975 stage musical "Chicago," the opening number "All That Jazz" stuck in the minds of viewers from the Oscar-sweeping 2002 film adaptation. In the film, the number is performed by Catherine Zeta-Jones as Velma Kelly in a Chicago club, with the performance intercut with scenes of protagonist Roxie Hart (Renee Zellweger) initiating an affair. The song showcased the overall flashy vibe of the film, and Zeta-Jones, 10 years after winning an Oscar for Best Supporting Actress for "Chicago," returned to the awards ceremony to perform the song.
One of the earliest musical films was "42nd Street," a backstage musical that focuses on a Broadway director and the newcomer star of what is to be his final Broadway show. The song entitled "42nd Street" serves as the finale of the film, performed by actress Ruby Keeler. The film may not be as popular with modern audiences, but the song and the story from which it originated had a renaissance through a popular 1980 Broadway musical adaptation of the original film.
Probably as or even more popular than the film "Footloose" is the song of the same name, written and performed by musician Kenny Loggins and the film's co-writer Dean Pitchford. The success of the song and the film surprised even Loggins himself. It went on to top the Billboard Hot 100 and became one of the biggest hits of 1984. The song plays in both the opening and the finale of the film. Blake Shelton even tried his hand at a cover for a 2011 remake of the original movie.
Comedy legends Bing Crosby and Bob Hope teamed up for the film "Road to Morocco," with the pair singing the fast and catchy song as their characters ride a camel to a nearby city. The cheeky fourth-wall breaking song ("We'd tell you more (uh-ah) but we would have the censor on our tails"), which admittedly has a number of stereotypes and jokes in its lyrics ("The men eat fire, sleep on nails and saw their wives in half"), isn't well remembered by audiences today, but it was undoubtedly a hit in the 1940s, with separate versions of the song including a solo recording with Crosby and a duet reuniting Crosby with Hope.
The 1944 comedy musical "Cover Girl" had everything, including leading stars in Gene Kelly and Rita Hayworth. Hayworth portrayed a chorus girl who finds stardom and Kelly co-stars as her boyfriend. "Long Ago (and Far Away)" is the most popular number from the film, sung by Kelly and Hayworth's characters, albeit with the latter dubbed by singer Martha Mears. The song hasn't lasted through the decades, but it was heavily covered throughout the 1940s by artists like Bing Crosby and Jo Stafford.
Woody Allen's most famous film, the Oscar-winning "Annie Hall," had a memorable sequence in which Diane Keaton's character (the eponymous Annie Hall) performs the popular 1940s song "Seems Like Old Times" for an audience. Keaton won Best Actress at the Oscars, and the song was repopularized by its inclusion in the film.
Writer-director Mel Brooks generally includes comedic musical numbers in his films, and one of the earliest and most famous examples is featured in the 1974 film "Young Frankenstein." Frankenstein (Gene Wilder) and his monster (Peter Boyle) sing and tap dance to the classic song "Puttin' on the Ritz," with the monster hilariously shouting incoherent words while Wilder's Frankenstein mostly plays it straight. In the film, the performance doesn't end well, but real-life audiences found the scene quite memorable and funny. 2ff7e9595c
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